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<channel>
	<title>Jonathan Priest</title>
	<atom:link href="http://www.creative-writer.com/feed" rel="self" type="application/rss+xml" />
	<link>http://www.creative-writer.com</link>
	<description>Still looking for the holy grail</description>
	<lastBuildDate>Sun, 25 Jul 2010 15:44:38 +0000</lastBuildDate>
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		<title>Call if you need work</title>
		<link>http://www.creative-writer.com/call-if-you-need-work</link>
		<comments>http://www.creative-writer.com/call-if-you-need-work#comments</comments>
		<pubDate>Sun, 25 Jul 2010 10:35:43 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Ideas to go]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=2247</guid>
		<description><![CDATA[I used to have a mental trick for getting work. It required minimal effort and zero cost. All I had to do was to make an attempt at doing some marketing. It could be a flyer, an email circular or maybe just a letter. Invariably, before the task was complete the phone would ring and [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.creative-writer.com/wp-content/uploads/2010/07/prophecy.jpg"><img class="size-full wp-image-2253 alignleft" title="prophecy" src="http://www.creative-writer.com/wp-content/uploads/2010/07/prophecy.jpg" alt="" width="232" height="322" /></a>I used to have a mental trick for getting work. It required minimal effort and zero cost. All I had to do was to make an attempt at doing some marketing. It could be a flyer, an email circular or maybe just a letter. Invariably, before the task was complete the phone would ring and I could abandon it. But now that work is scarce, I don&#8217;t feel so confident. I haven&#8217;t attempted any marketing for a while, maybe I should. They say it&#8217;s the thing to do in a downturn. Anyway, it was probably a statistical illusion; the work would have come in anyway.</p>
<p>I imagine most freelancers are superstitious to some extent. After all, a call from out of the blue seems like divine intervention. It follows there must be a way to draw these enlightening bolts in our direction. By writing this, I fear I may be breaking the spell. But what the heck. Maybe it will work for you.</p>
<p>Actually, it gets worse. I invented a deity for freelancers some years ago. To tell the truth, I discovered her. Remember those periods when you were really busy and didn&#8217;t know how you were going to get it all done? You may be in one now. Remember when a client changed the schedule and there was a fatal clash of dates? This time you&#8217;re really screwed. And then at the last minute the phone would ring (in those days it would be a call and not an email) and one or other of the conflicting clients would change a date and your bacon would be saved.</p>
<p>This happened consistently enough to get the feeling that someone up there was looking out for me, so I gave her a name, Schedula &#8211; the patron saint of diaries. I would speak to Schedula, ask for favours, put my trust in her &#8211; me a rampant atheist, how strange is that? But it seemed to work. Job followed job in logical succession. Schedula always seemed to work her magic.</p>
<p>To be honest, I have neglected Schedula over the last few years and I haven&#8217;t used my marketing feint either. Perhaps that&#8217;s the problem. It&#8217;s nothing to do with the recession. I have unplugged my psyche from universal space time. My work antennae have stopped transmitting. I am no longer visible on the right wave lengths. But that&#8217;s going to change. Schedula, forgive me. I have forsaken you. I am open for business, rearing to go.</p>
<p>I discovered something else a bit spooky. I can bring other people luck. A friend would call to complain how quiet things were and bingo, a few days later their phone would be off the hook. It happened again quite recently. Try it if you like; call if you need work. I will only cost you the price of a phone call. I&#8217;m not some rip-off medium. Anyway, it would be nice to hear from you. But hurry, I could be getting busy quite soon.</p>
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		<title>Fuck off he said</title>
		<link>http://www.creative-writer.com/fuck-off-he-said</link>
		<comments>http://www.creative-writer.com/fuck-off-he-said#comments</comments>
		<pubDate>Sat, 24 Jul 2010 22:10:23 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Ideas to go]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=2236</guid>
		<description><![CDATA[Jim is not an easy character. But he is very good decorator and by his own admission, very cheap. He has decorated lots of houses on our street. People ignore the health warnings about his temperament. Decorators like him are hard to find. He certainly gets on better with the wives. Jim did some work [...]]]></description>
			<content:encoded><![CDATA[<p>Jim is not an easy character. But he is very good decorator and by his own admission, very cheap. He has decorated lots of houses on our street. People ignore the health warnings about his temperament. Decorators like him are hard to find. He certainly gets on better with the wives.</p>
<p>Jim did some work on my house, good work. And not just decorating; roofing, rendering and a bit of plumbing. I ran around like a skivvy buying materials so he could keep up the good work. One day I made a joke about something he had done, left a valve shut, it was very trivial, but he took it the wrong way and walked off the job. I left grovelling apologies on his mobile and two days later he turned up as if nothing had happened. I even managed to make a joke about having to be careful not to rub him up the wrong way. But from then on, I handled him with kid gloves.</p>
<p>Jim is quick to bear grudges, quick to take offense, and he never forgets a real or imagined sleight. There was a perpetual ‘them’ or ‘they’ who conspired to do things the wrong way; who were out to frustrate him. Don’t get him started on parking wardens or Polish decorators. When he finished my job, I was glad to have him out of the house; glad not to have his brooding, sinister and small minded perspective to contend with. But whenever it rains, especially when it pours, I am grateful for the work he did on my slates and guttering; my roof is like the proverbial duck’s back.</p>
<p>I had not spoken to Jim for over a year, not since his father died. He’s not the type you want to engage in conversation; well you can’t in fact, all you can do is provide him with an opportunity to shed some more invective. But I was walking past his white van the other day and said hello. At first he ignored me, perhaps he hadn’t heard me. So I said it again, louder. He looked at me and said ‘Fuck Off’. ‘I was only trying to say hello,’ I said. ‘And I’m telling you to Fuck Off,’ he said. He meant it.</p>
<p>I realised at the time that something must have snapped inside him and didn’t take it personally; it was too bizarre. I later discovered he had had a nervous breakdown. Even though the attack was unprovoked and quite irrational, I am not sure it was entirely undeserved. I had thought and said enough things about Jim that merited at least a good Fuck Off. He almost certainly despises me; my type. In a way it was quite invigorating. We spend too much energy bottling up our feelings. Certainly he has, from what little I know of him.</p>
<p>Jim must be in a very dark place. He has no insight to shine a light on his demons. No wife to tell him to pull himself together. It&#8217;s all out there. I fear things might get worse, that Jim will flip into psychosis. One of his customers on the street is a retired professor of psychiatry. I wonder if he&#8217;ll tell him to fuck off. Maybe he should.</p>
<p>P.S. In case your decorator has just thrown a wobbly, Jim is not his real name.</p>
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		<title>Universal Principles of Design</title>
		<link>http://www.creative-writer.com/universal-principles-of-design</link>
		<comments>http://www.creative-writer.com/universal-principles-of-design#comments</comments>
		<pubDate>Wed, 14 Jul 2010 08:15:31 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=2148</guid>
		<description><![CDATA[Definitions taken from the book of the same name, by William Lidwell (Rockport) described as 100 ways to enhance usability. It&#8217;s a sort of everything you need to know book. ADVANCE ORGANISER An instructional technique that helps people understand new information in terms of what they already know. AFFORDANCE A property in which the physical [...]]]></description>
			<content:encoded><![CDATA[<table>
<tbody>
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<td><strong>Definitions taken from the book of the same name, by William Lidwell (Rockport) described as 100 ways to enhance usability. It&#8217;s a sort of everything you need to know <a title="Universal Principles of Design" href="http://amzn.to/9GD0us" target="_blank">book</a>. </strong></td>
</tr>
<tr>
<td>ADVANCE ORGANISER</td>
</tr>
<tr>
<td>An instructional technique that helps people understand new information in terms of what they already know.</td>
</tr>
<tr>
<td>AFFORDANCE</td>
</tr>
<tr>
<td>A property in which the physical characteristics of an object or environment influences its function.</td>
</tr>
<tr>
<td>CHUNKING</td>
</tr>
<tr>
<td>A technique of combining many units of information into a limited number of units or chunks, so that the information is easier to process or remember.</td>
</tr>
<tr>
<td>DEFENSIBLE SPACE</td>
</tr>
<tr>
<td>A space that has territorial markers, opportunities for surveillance and clear indications of activity and ownership.</td>
</tr>
<tr>
<td>EXPECTATION EFFECT</td>
</tr>
<tr>
<td>A phenomenon in which perception and behaviour changes as a result of personal expectations or the expectations of others.</td>
</tr>
<tr>
<td>FIVE HAT RACKS</td>
</tr>
<tr>
<td>There are five ways to organise information: category, time, location, alphabet and continuum.</td>
</tr>
<tr>
<td>FRAMING</td>
</tr>
<tr>
<td>A technique that influences decision making and judgement by manipulating the way information is presented.</td>
</tr>
<tr>
<td>GUTENBERG DIAGRAM</td>
</tr>
<tr>
<td>A diagram that describes the general pattern followed by the eyes when looking at evenly distributed, homogeneous information.</td>
</tr>
<tr>
<td>HICKS LAW</td>
</tr>
<tr>
<td>The time it takes to make a decision increases as the number of alternatives increases.</td>
</tr>
<tr>
<td>HIERARCHY</td>
</tr>
<tr>
<td>Hierarchical organisation is the simplest structure for visualising and understanding complexity.</td>
</tr>
<tr>
<td>HIERARCHY OF NEEDS</td>
</tr>
<tr>
<td>In order for a communication or design to be successful it must meet people&#8217;s basic needs before it can attempt to satisfy higher-level needs.</td>
</tr>
<tr>
<td>INVERTED PYRAMID</td>
</tr>
<tr>
<td>A method of information -presentation in which information is presented in descending order of importance-</td>
</tr>
<tr>
<td>INTERFERENCE EFFECTS</td>
</tr>
<tr>
<td>A phenomenon in which mental processing is made slower and less accurate by competing mental processes.</td>
</tr>
<tr>
<td>ITERATION</td>
</tr>
<tr>
<td>A process of repeating a set of operations until a specific result is achieved.</td>
</tr>
<tr>
<td>LAYERING</td>
</tr>
<tr>
<td>The process of organising information into related groupings in order to manage complexity and reinforce relationships in this information.</td>
</tr>
<tr>
<td>LAW OF PRAGNANZ</td>
</tr>
<tr>
<td>A tendency to interpret ambiguous messages as simple and complete, versus complex and incomplete.</td>
</tr>
<tr>
<td>LIFE CYCLE</td>
</tr>
<tr>
<td>All products progress sequentially through four stages of existence; introduction, growth, maturity and decline.</td>
</tr>
<tr>
<td>MAPPING</td>
</tr>
<tr>
<td>A relationship between controls and their movements or effects. Good mapping between controls and their effects results in greater ease of use.</td>
</tr>
<tr>
<td>MENTAL MODEL</td>
</tr>
<tr>
<td>People understand and interact with systems and environments based on mental representations developed from experience.</td>
</tr>
<tr>
<td>MNEMONIC DEVICE</td>
</tr>
<tr>
<td>A method of managing system complexity that involves dividing large systems into multiple, smaller self-contained systems.</td>
</tr>
<tr>
<td>OCKHAM&#8217;S RAZOR</td>
</tr>
<tr>
<td>Given a choice between functionally equivalent designs, the simplest design should be selected</td>
</tr>
<tr>
<td>OPERANT CONDITIONING</td>
</tr>
<tr>
<td>A technique used to modify behaviour by reinforcing desired behaviours, and ignoring or punishing undesired behaviours.</td>
</tr>
<tr>
<td>PERFORMANCE VS PREFERENCE</td>
</tr>
<tr>
<td>The designs that help people perform optimally are often not the same as the designs that people find most desirable.</td>
</tr>
<tr>
<td>PERFORMANCE WAD</td>
</tr>
<tr>
<td>The greater the effort to accomplish a task, the less likely the task will be accomplished successfully.</td>
</tr>
<tr>
<td>PICTURE SUPERIORITY EFFECT</td>
</tr>
<tr>
<td>Pictures are remembered better than words.</td>
</tr>
<tr>
<td>RECOGNITION OVER RECALL</td>
</tr>
<tr>
<td>Memory for recognising things is better than memory for recalling things.</td>
</tr>
<tr>
<td>SHAPING</td>
</tr>
<tr>
<td>A technique used to teach a desired behaviour by reinforcing increasingly accurate approximations of the behaviour.</td>
</tr>
<tr>
<td>REDUNDANCY</td>
</tr>
<tr>
<td>The use of more elements than necessary to maintain the performance of a system in the event of failure of one or more of the elements.</td>
</tr>
<tr>
<td>SIGNAL TO NOISE RATIO</td>
</tr>
<tr>
<td>The ratio of relevant to irrelevant information in a display. The highest possible signal to noise ratio is desirable in communication and design.</td>
</tr>
<tr>
<td>ORIENTATION SENSITIVITY</td>
</tr>
<tr>
<td>A phenomenon of visual processing in which certain line orientations are more quickly and easily processed and discriminated than other line orientations.</td>
</tr>
<tr>
<td>SATISFICING</td>
</tr>
<tr>
<td>It is often preferable to settle for a satisfactory solution rather than pursue an optimal solution.</td>
</tr>
<tr>
<td>STORYTELLING</td>
</tr>
<tr>
<td>A method of creating imagery, emotions and understanding of events through an interaction between a storyteller and an audience.</td>
</tr>
<td>SCRIPTWRITING</td>
</tr>
<tr>
<td>A process of putting various unrelated ducks in a row to create the illusion of narrative flow.</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<title>MUSH &#8211; A short story</title>
		<link>http://www.creative-writer.com/mush-a-short-story</link>
		<comments>http://www.creative-writer.com/mush-a-short-story#comments</comments>
		<pubDate>Thu, 24 Jun 2010 21:41:33 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Ideas to go]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=2138</guid>
		<description><![CDATA[Mush was long listed for the Fish Short Story Prize When does life end? For Ken it ended abruptly. He lost his balance on a traffic island and fell under a cement truck. Horrified onlookers turned away from the grisly sight. Others covered their mouths, retching. The truck driver didn&#8217;t feel the impact but realised [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Mush was long listed for the Fish Short Story Prize</strong></p>
<p>When does life end? For Ken it ended abruptly. He lost his balance on a traffic island and fell under a cement truck. Horrified onlookers turned away from the grisly sight. Others covered their mouths, retching. The truck driver didn&#8217;t feel the impact but realised something was wrong when he saw people gesticulating in his wing mirror. Ken&#8217;s head did not escape the ten ton onslaught. His memories and daily routines, such as the trip to the corner shop, had been reduced to mush.</p>
<p>Passing drivers slowed to gawp at the body. A builder on a scaffold described the scene to someone he had been chatting to on his mobile phone. A man of military bearing returning from the same corner shop to which Ken was heading carefully unfolded the business section of his newspaper, the part he never read, and placed it over the new synthesis that was Ken&#8217;s head. News of stock market turmoil took on a more sinister hue as blood seeped through the headlines.</p>
<p>The truck driver arrived to inspect the scene. He was pale, shaking and looked round for support but none came. He had not seen Ken. No one saw him trip. The inner ear infection that had been troubling his balance remained undiagnosed. The ambulance siren heralded a change of mood. Those with jobs to go to, headed off. The drivers behind hooted to encourage the gawpers to move on. A police car arrived. The two young officers decided against lifting the red blotter. Traffic was diverted and the onlookers were corralled behind blue and white tapes. A shocked neighbour identified Ken who apparently lived alone but had a sister somewhere, New Zealand possibly.</p>
<p>However, Ken was not entirely gone from this world. True, he had forgotten the reason for his outing that morning, to buy some cigarettes. And although his thoughts were unstructured, there was a lot going on within the hyperactive mousse formed by the merger between the logical left and the intuitive right sides of his brain. The compulsions that once crowded his daily thoughts had evaporated into the traffic fumes and he was thinking clearly in five dimensions. Had it been possible to capture this outpouring, he would have won at least a Booker and a Palm D&#8217;Or. Decades-old sexual encounters he rehearsed in his masturbatory fantasies rallied to grant Ken one last volcanic orgasm. In short, Ken&#8217;s fall from grace had produced in a few seconds what years of mysticism and meditation had failed to achieve, complete creative and sexual liberation.</p>
<p>Plastic gloves were stretched over sweaty palms &#8211; scooping Ken off the road would be a messy business. His precious DNA, four billion years in the making, would soon be swimming alongside sanitary towels and the morning&#8217;s ablutions. From the perspective of the scaffold, he struck an odd pose. Who wears brown corduroys these days? His legs were twisted awkwardly though he felt no pain. In fact he was running, running along an empty beach, splashing in the shallow waves. He felt the sand splurge between his toes and the tropical sun beat down on his red, sunburned back. The crystal clear water shimmered with a myriad tiny lenses until he dived in headlong to shatter the illusion. At first he swam low, simulating flight, his tummy almost touching the barren sand. But then the sea bed fell away and Ken became king of a rocky metropolis festooned with gently undulating fronds. Sea cucumbers trawled the avenues for detritus while clusters of star fish searched for buried treasure. A large jellyfish gently pumped its way towards the light: a regular heart beat, not Ken’s. Then through the blue-green, sun-dappled water emerged the coral mountain where tiny polyps waved their greetings and brightly coloured fish played dare among the sea anemones. Ken felt at one with nature, an equal among his fellow creatures.</p>
<p>The strong undercurrent had carried him beyond the sandy bay and when he looked back he could barely see the shore. But Ken was where he belonged; away from denial, away from belittlement. Back on the beach, Ken&#8217;s mother Eileen was busy with her youngest, a curly-haired little girl of around three. Ken resented this demanding infant, even more so because he was expected to play father when the child&#8217;s own father was away. He spent the rest of his life trying to escape this trap &#8211; a trap of obligation toward a mother who could not understand his pain.</p>
<p>Eileen didn’t look up as Ken walked tearfully towards her across the hot sand.  ‘Couldn’t she understand? I nearly drowned out there.’ That would have taught her. A man with dark skin and strong, swarthy arms had plucked him gasping from the sea and rowed him back to shore without a word. If only he had taken him back to his mother, if only he could have saved her too. As he lay in the middle of the road, Ken saw the baskets of silly baby things he would have to carry back to the car park. At least she hadn’t forgotten his snorkel this time.</p>
<p>The police were measuring distances, taking photographs. The truck driver sat on a low garden wall, his head in his hands. He would see these forensic images at the inquest six weeks later which would decide upon an accidental death. He had been dreading it but thankfully there were no grieving relatives to corner him, no recriminating looks. His well-rehearsed apology was not required.</p>
<p>Some weeks later, Ken&#8217;s half-sister Cheryl received a solicitor&#8217;s letter informing her of the news and that she had been mentioned in his will. ‘Poor old Ken, only fifty eight. Shame he never got married. At least he can keep mum company now. Still, it was nice of him to remember me.’</p>
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		<title>Who is your website?</title>
		<link>http://www.creative-writer.com/websites-for-sole-traders</link>
		<comments>http://www.creative-writer.com/websites-for-sole-traders#comments</comments>
		<pubDate>Fri, 11 Jun 2010 16:00:05 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=1962</guid>
		<description><![CDATA[Representation on the web When someone asks me to help plan their website, there will inevitably be a discussion about representation &#8211; who or what do I represent myself as? The answer is of course, &#8216;as yourself&#8217;. The tendency in the past has been for freelancers and sole traders to create a site that looks [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Representation on the web</strong></p>
<p>When someone asks me to help plan their website, there will inevitably be a discussion about representation &#8211; who or what do I represent myself as? The answer is of course, &#8216;as yourself&#8217;.</p>
<p><a href="http://www.creative-writer.com/wp-content/uploads/2009/08/marketing.jpg"><img class="alignleft size-thumbnail wp-image-1201" title="marketing" src="http://www.creative-writer.com/wp-content/uploads/2009/08/marketing-150x150.jpg" alt="" width="150" height="150" /></a>The tendency in the past has been for freelancers and sole traders to create a site that looks more like a company than a person. Like the Wizard of Oz, people traded behind their corporate veils hoping no one would realise it was just them and a laptop. However, no one is fooled by these chimeras; it&#8217;s fairly obvious when a minnow is masquerading as a multinational.</p>
<p><strong>Give your website a distinctive voice</strong></p>
<p>These dummy companies tend to be rather bland because by definition, they lack personality. Their owners cannot communicate directly with visitors. A website that has a distinctive voice will not only be more memorable, it will also generate trust. But what if you are a limited company or have a trading name? I suggest the same principle applies &#8211; give your website a distinctive voice, be yourself. If you are a partnership, give key individuals a voice.</p>
<p><strong>Coming out as ourselves</strong></p>
<p><strong></strong> The web as a social medium has had a powerful influence on the web as a marketing channel. As parents, we looked on with some alarm as our children gamed and chatted uninhibitedly with kids all over the world.  Then we got a taste for networking and realised it&#8217;s okay to reveal our friendships on Facebook or to have a profile on Linked In. In short, we felt more confident to come out as ourselves.</p>
<p><strong>There can only be one you</strong></p>
<p>But that of course begs the question, how can you be yourself in one arena and a facsimile of yourself in another? If you read the average profile on Linked In and then go the associated website you sometimes wonder if it&#8217;s the same person. Even if you reveal different facets of yourself in different arenas, ultimately there can only be one you.</p>
<p><strong>From Web to Blog?</strong></p>
<p>For many people, their sole representation on the web is now in the form of a blog. Some are highly impressive and require enormous dedication to maintain. Does that mean sole traders should close down their billboard websites and start blogging? Not while the majority of people looking for services expect to find the answer on a website.  The only reason for going to a blog is that somebody else has recommended it. It takes too much time to dig around in the hope of finding anything useful. That&#8217;s why there will always be a place for the concise, structured marketing message &#8211; a website.</p>
<table style="width: 200px;">
<tbody>
<tr>
<td colspan="2"><a href="http://www.creative-writer.com/wp-content/uploads/2010/06/web_blog_diag.jpg"><img class="aligncenter size-full wp-image-2087" title="web_blog_diag" src="http://www.creative-writer.com/wp-content/uploads/2010/06/web_blog_diag.jpg" alt="" width="417" height="60" /></a></td>
</tr>
<tr>
<td><em> Static, proposition led, one way communication</em></td>
<td style="text-align: right;"><em>Dynamic, content led, conversational</em></td>
</tr>
</tbody>
</table>
<p><strong>Strike the perfect balance</strong></p>
<p>Thanks to Content Management Systems (CMS) such as WordPress, a blog can now be incorporated into a website (this site being an example). Web plus blog make a powerful combination as it allows you to deliver your concise marketing message and allows you to extemporise around the theme with articles and observations.</p>
<p><strong>Twitter feeds</strong></p>
<p>One benefit of having a presence in the social space is to use it to feed traffic to our blogs and websites, creating a virtuous circle. An important lubricant for this traffic is Twitter. People tweet their blogs and those of others and the number of visitors can quickly multiply. Twitter provides a perfect way to keep suppliers and clients up to date and Twitter feeds on websites are now becoming conspicuous by the absence.</p>
<p><strong>To be or not to be</strong></p>
<p>Another issue is whether to put up a picture of yourself. I believe they offer a valuable way to build trust, but be honest; we all looked great when we were younger and slimmer. Above all, do not substitute a picture of your darling child or cat – it’s mawkish and trust averse.</p>
<p><strong>Conclusion</strong></p>
<p>The best way to create a credible and trustworthy online presence is to be yourself. Give your website a distinctive voice and be open for dialogue. Use all the social networking tools to attract visitors to your site. So let me ask you &#8211; what do you think makes a good website for a sole trader?</p>
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		<title>Down the rabbit hole</title>
		<link>http://www.creative-writer.com/down-the-rabbit-hole</link>
		<comments>http://www.creative-writer.com/down-the-rabbit-hole#comments</comments>
		<pubDate>Thu, 28 Jan 2010 10:50:38 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=1730</guid>
		<description><![CDATA[Down the Rabbit Hole with David Galipeau A meeting organised by the London Communicators &#38; Engagement Group 27/01/01 The evolution of the internet is entering a new and much darker phase. Decision making will become centralised. Totalitarian and not so overtly totalitarian regimes (such as the French apparently) are engaged in a vicious regime of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Down the Rabbit Hole with David Galipeau</strong></p>
<p>A meeting organised by the London Communicators &amp; Engagement Group 27/01/01</p>
<p>The evolution of the internet is entering a new and much darker phase. Decision making will become centralised. Totalitarian and not so overtly totalitarian regimes (such as the French apparently) are engaged in a vicious regime of cyber attacks and counter hacks. Industrial and of course political espionage is rife. Not even our secular deity Google is immune. Established ivory towers of corporate power will be consumed by the billowing cloud; it’s a winner takes all game fought in cyberspace and brought to your door by crowd sourcing. The echoes of this battle are already reverberating across our screens; that slowing of Twitter feeds and Facebook updates you experienced yesterday was the fallout from 40,000 DOS attacks taking place across the world. The good news is, we are lucky to be alive right now, to witness the dying embers of individual freedom. Enjoy it while it lasts.</p>
<p>With the arrival of the new internet protocol (IPv6) we will enter an ‘Internet of Things’ where &#8216;Locality&#8217; is all and every pebble and household implement will have its own IP address. Your door knob will be engaged in a dialogue with your refrigerator and, should you be foolish enough to step on the bathroom scales, a Denial of Supper attack will inevitably follow. We should be worried. You have been warned. It’s time to brush up on your Mandarin.</p>
<h2 style="text-align: center;">中国下一代互联网</h2>
<p>Though some of us struggled to grasp the central premise of David Galipeau’s presentation, the influence of technology on management structures, we knew we were in the presence of someone who has their finger firmly on the fibre optic pulse, who advises governments and corporations on how to concisely time their communications to exploit the Earth’s rotation to avert financial meltdown. We were all so impressed none of us thought to ask, ‘So what should we do?’</p>
<p>Just as were about to reach for the Prozac who should appear like a knight in shining armour but John Smythe, doyenne of employee engagement. The idea that decision making is becoming centralised is complete piffle; everyone knows that the most successful companies have democratised the decision making processes. When challenged to cite his research that proved the opposite, Darth Veda could only mumble vague references to unpublished research commissioned by the very same forces of darkness that are plotting our digital enslavement. Smythe had tasted blood and challenged Galipeau to a public debate, which he somewhat grudgingly accepted. Watch this space.</p>
<p><a href="http://www.galipeau.com/blog/">http://www.galipeau.com/blog/</a></p>
<p>#rabbithole</p>
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		<title>The creative writer&#8217;s pack</title>
		<link>http://www.creative-writer.com/the-creative-writers-pack</link>
		<comments>http://www.creative-writer.com/the-creative-writers-pack#comments</comments>
		<pubDate>Tue, 12 Jan 2010 10:16:01 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Ideas to go]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=1686</guid>
		<description><![CDATA[A short story There’s a guy in reception to see you, he’s got a big black box. What does he want? He says he’s a creative writer. I thought all writers were supposed to be creative. I dunno, maybe it sounds better than writer on its own. Whatever, why does he want to see me? [...]]]></description>
			<content:encoded><![CDATA[<p><strong>A short story</strong></p>
<p>There’s a guy in reception to see you, he’s got a big black box.</p>
<p>What does he want?</p>
<p>He says he’s a creative writer.</p>
<p>I thought all writers were supposed to be creative.</p>
<p>I dunno, maybe it sounds better than writer on its own.</p>
<p>Whatever, why does he want to see me?</p>
<p>He said he’s really optimistic about our company.</p>
<p>I am pleased to hear it but what has this got to do with me?</p>
<p>Maybe this is how he chooses his clients.</p>
<p>I see, he just hangs out in reception of companies he’s optimistic about?</p>
<p>He did seem to believe he had a good reason to be here.</p>
<p>Spooky! Anyway what’s his name?</p>
<p>He didn’t say.</p>
<p>Can’t someone else see him – I’m busy.</p>
<p>He insists on seeing you.</p>
<p>We run an open company here, we have no secrets.</p>
<p>Shall I ask him to leave?</p>
<p>I don’t need a creative writer, everyone around here can write, okay!</p>
<p>He wants to help us to communicate our philosophy.</p>
<p>That’s what marketing does isn’t it?</p>
<p>Do they? Anyway I’ll ask him to leave.</p>
<p>Tell him I’m busy but he can leave his box of tricks. I’ll take a look at it later.</p>
<p>He may not be prepared to do that.</p>
<p>Tell him he can pick it up tomorrow, any time.</p>
<p>Here it is. He hopes you find it useful, it’s yours to keep.</p>
<p>Really! It’s huge …<em>&#8216;The Creative Writer’s Pack&#8217;</em></p>
<p>Go on, open it up.</p>
<p>I can’t, it’s locked &#8211; is he still out there?</p>
<p>No he left immediately, he wasn’t at all put out.</p>
<p>How I am supposed to open this?</p>
<p>You’re not going to believe this. He said, &#8216;<em>Tell him to say Abracadabra</em>.&#8217;</p>
<p>You’re kidding me – that’s a joke …Abracadabra!</p>
<p>It’s not, look it’s opening, the lid is opening!</p>
<p>It could be a bomb! Quick….</p>
<p>No, it’s full of books, old children’s storybooks…</p>
<p>Yeah, and they’re all crumbling to bits. I’ve had enough &#8211; tell him to come back for his box right now, call him on his mobile.</p>
<p>I don’t think that’s a good idea.</p>
<p>Are you telling me you know what this is about?</p>
<p>Perhaps it’s about how the power of language can create the world we live in.</p>
<p>So we have got to start telling each other kids stories, &#8216;<em>Once up on a time there was a petrochemical company that dreamed of world domination.</em>&#8216; Get real.</p>
<p>It’s not that simple. The creative writer uses language to help create the company we want to be.</p>
<p>We have a mission statement, thank you.</p>
<p>It’s not a mission statement, more a dialogue with our vision of the future.</p>
<p>Hang on a minute, I remember that book, my mother used to read that to me. How could he possibly know? I am not kidding you, those are my actual books! Those are all my books!</p>
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		<title>So what do you do for a living?</title>
		<link>http://www.creative-writer.com/so-what-do-you-do-for-a-living</link>
		<comments>http://www.creative-writer.com/so-what-do-you-do-for-a-living#comments</comments>
		<pubDate>Mon, 11 Jan 2010 11:13:10 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=1678</guid>
		<description><![CDATA[A reply to the killer question Anyone in corporate communication can relate to this. Someone pins you against the wall at a party and asks what you do for a living. The strained expression on your face tells your interviewer they have stumbled on to sensitive ground. Perhaps you have just been made redundant or [...]]]></description>
			<content:encoded><![CDATA[<p><strong>A reply to the killer question</strong></p>
<p><strong> </strong></p>
<p>Anyone in corporate communication can relate to this. Someone pins you against the wall at a party and asks what you do for a living. The strained expression on your face tells your interviewer they have stumbled on to sensitive ground. Perhaps you have just been made redundant or worse. What your slightly sozzled mind is actually trying to formulate is an answer that avoids the dreaded follow up, <em>‘So have I have seen anything you’ve done on telly?’</em><em> </em>As you race through the limited glossary of terms that describes our profession, all you can do is eliminate.</p>
<p>The first term to eliminate is ‘corporate’. It smacks of smoke stack factories and armies of pen pushers. &#8216;Video&#8217; has connotations of weddings or You Tube and is likely to lead to a tedious conversation about digital cameras. And if you dare mention the word ‘training’, the words John and Cleese bubble up from the memory of some long forgotten course on telephone etiquette and you are dead in the water.</p>
<p>‘I work in communications,’ you offer lamely. Your interviewer immediately asks whether you know of a fixed-price, all-in-one, totally for the rest of your life mobile phone and broadband package. You stop that train of thought with the qualification, ‘business communications’, or ‘business to business communications&#8217; or, in total desperation ‘public relations’. Still none the wiser, your interviewer suddenly realises her glass needs refreshing and you are left standing there like the gay vicar at the garden party. ‘Next time,’ you say to yourself, ‘I really must get my script for this conversation sorted out. I need a reply that eliminates all confusion and makes me look cool.’</p>
<p><strong>‘So what do you do for a living?’</strong></p>
<p>‘Government and private sector communications, you know, high end stuff; behaviour change, product launches, environmental awareness programmes.’</p>
<p><em><strong><span style="color: #808080;">Note clever avoidance of words industrial or business and the conflation of totally different types of communication.</span></strong></em></p>
<p><strong>‘What sort of communications are they?’</strong></p>
<p>‘These days it’s all about mixed media. We use a combination of live action, dramatisations, CGI and of course it’s all integrated at the back end using Web 2.0, social media, online collaboration tools, you know the sort of thing.’</p>
<p><em><strong><span style="color: #808080;">Your interviewer looks at you wide eyed, she hasn’t the faintest idea what you are talking about but it sounds very cool. You quickly intervene before the next question.</span></strong></em></p>
<p>‘For instance I am just working on a regular communication for a pharma company. They need to get the rank and file up to speed on their new blockbuster molecule. The whole thing is shot in a dedicated studio (virtual of course) with VT links to our roving reporters across the world. They won’t get much change out of half a mil.’</p>
<p>‘Sounds really cool, how exciting.’</p>
<p>‘The communications industry is big business these days; turns over around £3billion, bigger than advertising. But we like to stay in the background, (taps nose conspiratorially) our clients are the stars.’</p>
<p><em><strong><span style="color: #808080;">The communications industry is more impressive than corporate communication and never say, ‘but no one has ever heard of us’.</span></strong></em></p>
<p><strong>‘So what&#8217;s your  job?’</strong></p>
<p>‘Nothing really, I just come up with the ideas and stop the client from making too much of a hash of it. Our job is all about managing expectations.&#8217;</p>
<p><em><strong><span style="color: #808080;">Quit while you’re up, never let the conversation stray into specifics, move on ever so quickly.</span></strong></em></p>
<p>‘So what do you do, anything interesting?’</p>
<p><em><strong>Jonathan Priest does something very interesting. He’s a creative writer working on high end, back end, end-to-end communication solutions.</strong></em></p>
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		<title>Video FAQs</title>
		<link>http://www.creative-writer.com/video-faqs</link>
		<comments>http://www.creative-writer.com/video-faqs#comments</comments>
		<pubDate>Tue, 05 Jan 2010 18:13:09 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://www.creative-writer.com/?p=1577</guid>
		<description><![CDATA[If ever you become involved in commissioning  a video for your organisation, here are my thoughts on some of the questions you may have. You can also read my Reports  Corporate Video and Treatment Scripts &#38; Storyboards which provide insights into the commissioning and production processes. Question Answer Anyone with a camera and a laptop can [...]]]></description>
			<content:encoded><![CDATA[<p>If ever you become involved in commissioning  a video for your organisation, here are my thoughts on some of the questions you may have. You can also read my Reports  <a href="http://www.creative-writer.com/wp-content/uploads/2009/10/CorporateVideo.PDF">Corporate Video</a> and <a href="http://www.creative-writer.com/wp-content/uploads/2010/01/TreatScriptStorybd.pdf">Treatment Scripts &amp; Storyboards</a> which provide insights into the commissioning and production processes.</p>
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<span class="style1" style="font-family: Verdana; mso-bidi-font-family: Arial; color: maroon; mso-bidi-font-style: italic;">Question</span></strong></p>
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<span style="font-family: Verdana; color: #800000;">Answer</span></strong></p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Anyone with a camera and a laptop can make a video these days, why use a professional film maker?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Your video is an expression of your brand and  should reflect your values in terms of quality and creativity. If you received a video from BMW or Sony, you would expect it to have the same production values as their products. Only an experienced film maker knows how to put that quality on the screen.  A poorly conceived and executed video will do more harm than good.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is the best criterion for making a video?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Because there isn&#8217;t a more effective or more economical way to get the message across.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is the best use of video?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Video is a medium for telling stories, for creating a narrative journey using themes and visual metaphors. It&#8217;s good for the big picture, poor on detail.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Is a video like a website, do you need one to do business?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">No. But used strategically, they can be very effective tools. Video is most effective when it is part of the marketing and communications mix.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What makes for a good video?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Keep it short, keep it punchy and don&#8217;t try to squeeze in too much information. Creatively, be prepared to take risks or your video will be like everyone else&#8217;s. Bravery invariably pays off because your video will become a talking point and is more likely to go viral. Leave nothing to chance, do your homework because mistakes are very costly.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is drama best for?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Changing behaviours, challenging misconceptions and providing positive role models.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is documentary style best for?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Advocacy, demonstration, explanation, PR, recruitment, staff induction, skills training.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is drama documentary used for?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Drama documentary is often used for training and public awareness campaigns. The drama elements can be used to re-enact historical events or possible future events (i.e. accidents) or reveal conflicts between different points of view expressed by characters in a drama. These underpin and drive the documentary exposition element of the video and bring the subject to life.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Is it worth doing a drama with inexperienced actors to save money?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">Inexperienced actors lack credibility on the screen. Unless they are famous, experienced actors don’t cost that much more. They will bring their characters to life and it usually takes them less time to shoot their scenes.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">When is it best to use a presenter?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">When you need to engage a particular audience in a very personal way. Regular employee communications can be helped by having a familiar face. A presenter who has specialist knowledge of the subject area will also add value. The presenter can play the role of storyteller, advocate, investigator or clown but the success of the video hinges entirely on the effectiveness of the presenter.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">When would it be inadvisable to use a presenter?</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">If you are trying to reach a very diverse audience, not everyone will take to a particular presenter who inevitably brings his/her own class and cultural associations. You can&#8217;t risk alienating any percentage of your audience. There needs to be a compelling case to use a presenter; the default choice is voice over.</p>
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<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Is it worth spending £5-10K on a well-known presenter?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Using a well-known presenter shows you mean business and demonstrates confidence and credibility but the cause has to be significant enough to justify the investment, such as a major product launch. The rest of the video must have correspondingly high production values to ‘honour’ your presenter and maximise his/her impact.</p>
</td>
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<tr style="mso-yfti-irow: 13;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Where does the production budget go?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">The factors that most affect the budget are the number of days shoot, travel and accommodation. You pay the crew the same for travelling as shooting, so the fewer and closer the locations, the better. If it’s a drama, the number of actor days is a major cost. Graphics and especially animation are also expensive.</p>
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<tr style="mso-yfti-irow: 14;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">I would like to use animation in a video, what do I need to be aware of?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Animation, whether 2D or 3D, is a complex and time consuming business and hence costly. Familiarise yourself with the production process, become an informed buyer. Animation starts with an agreed script and storyboard. The animator will then produce some key frames to show the detailed visual style. Once those have been signed off, you proceed to animation. Any changes you make from now on will be costly and introduce delays. Be extremely vigilant about the sign off process and above all, make sure all the stakeholders are involved.</p>
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<tr style="mso-yfti-irow: 14;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Should I make my video longer to get better value for money?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">No, the law of diminishing returns applies on audience concentration. Less is more. It takes real craft to make a short, punchy video.</p>
</td>
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<tr style="mso-yfti-irow: 15;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">How much does a minute of video cost?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">The idea that videos can be priced by the minute has been around for years. It’s as meaningful as pricing an oil painting by its surface area.</p>
</td>
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<tr style="mso-yfti-irow: 16;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">We want to put the video out to tender, how many companies should we ask to submit?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">Three is ideal, five max. Producers will calculate the odds of winning and if the odds are high, they have every incentive to invest time and talent in the pitch. Invite too many and you could end up with a lot of indifferent proposals. Provide communication objectives, a face-to-face brief and as much background information as possible.</p>
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<tr style="mso-yfti-irow: 17;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Should I tell the producer how much I have to spend or will that encourage them to up the price?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">It’s better to be up front about the budget so producers are competing on creativity and production values rather than price. A good producer will always try to give good value for money which means putting as much of your budget as possible on the screen. After all, they want to win your next job.</p>
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<tr style="mso-yfti-irow: 18;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Is a script always necessary?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Not always, depending on the programme style. A set of objectives and/or a list of interview questions may be enough. The video is then crafted in post production. You will need to sign off a full script for a drama, presenter or voice over commentary.</p>
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<tr style="mso-yfti-irow: 19;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What value does a scriptwriter bring?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Scriptwriters don&#8217;t just write the words. They develop a theme to encapsulate the message and a visual concept to get it across in a memorable way. Scriptwriters also know how best to connect with particular audiences, using the appropriate tone and use of language.</p>
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<tr style="mso-yfti-irow: 19;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is the role of the producer?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">The producer is the project manager and the client&#8217;s main contact. The producer manages the budget and puts together the production team. The producer then acts as a creative midwife who brings the project to life and makes sure you get the video you wanted.</p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is the role of the director?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">In video, the director is responsible for everything that happens in front of the camera; the choice of shot, the performances of the actors the overall visual style of the video. The director also supervises the edit and the production of any graphics during post-production. For events, a director has the same overall creative control.</p>
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<tr style="mso-yfti-irow: 20;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Can we use our video to reach more than one audience?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">The more targeted the video, the more effective it will be. However, if you do have multiple audiences, make that clear in the brief.</p>
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<tr style="mso-yfti-irow: 21;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">People say it’s bad to use talking heads, is that true?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">It has been regarded as lazy way to make video but talking heads can be very effective; it’s all down to quality of the interviews and the editing. They are most effective when used sparingly and intercut with other relevant interviews to build a case. The use of relevant cut-away shots is also important.</p>
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<tr style="mso-yfti-irow: 22;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is an off-camera interview?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">The person asking the question does not appear in the shot (i.e. they are off camera) and their questions are usually cut out. This means the interviewee must provide answers that make sense without the question.</p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">We are recording a video our annual conference, could we turn the speeches into a DVD?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">You can use snippets as cut away shots to separate off-camera interviews, but a video of someone giving a slide presentation is worse that watching paint dry.</p>
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<tr style="mso-yfti-irow: 24;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Can we widen our audience by web streaming a conference or discussion panel?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial;">You can but there’s no point putting up a single camera and hoping your online audience will stay with you. The event needs to be professionally produced with multiple cameras, on-site vision mixing and of course excellent sound recording.</p>
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<tr style="mso-yfti-irow: 25;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What about mass mailing DVDs?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">People tend not to watch them, there’s always something better to do. Invite people to apply for them, that way they are more likely to watch them and it&#8217;s a good way to capture people&#8217;s details.</p>
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<tr style="mso-yfti-irow: 26;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Is it a good idea to put a video/s on my website?</p>
</td>
<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">I see web and video as somewhat conflicting media, they offer very different narrative experiences. A video, especially when it&#8217;s on the home page, can disrupt the experience of your well-crafted website i.e. <em>&#8216;I&#8217;ve seen your video, so I won&#8217;t bother to look at your website.&#8217;</em></p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">What is more important, the quality of sound or vision?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Viewers will put up with poor quality images, but poor quality sound is unacceptable. That’s why you can’t get away with using the gun microphone on a camera for interviews. Use a tie mike or boom.</p>
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<tr style="mso-yfti-irow: 29;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">My MD wants a video of him talking to our staff about current issues.</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">You need to choose an approach that best suites his/her style. Talking straight to camera is very compelling but not everyone can pull it off.  It&#8217;s generally safer to use an off-camera interview technique. Don&#8217;t stick him/her behind a desk; choose a location with background activity or even outside, if it&#8217;s not too noisy. Take some shots of him/her walking the talk using a radio mike and a long lens. These will cut nicely with the formal interview and make him/her appear more friendly.</p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">My MD wants a video of him talking about our products to potential customers.</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Talk him/her out of it unless she/he’s is very natural in front of a camera. It could put people right off. If she/he insists, do it as an off-camera interview, not directly to camera.</p>
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<tr style="mso-yfti-irow: 30;">
<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">He says not to worry, he’ll use a teleprompter.</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Bad idea, it will make him look wooden and shifty. Teleprompters are strictly for professionals.</p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">Which is more important, the producer, writer or director?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">The producer, he/she chooses the other two.</p>
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<td style="width: 213.5pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="285" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">What is the best advice you can give about video production?</p>
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<td style="width: 212.6pt; padding: 0cm 5.4pt 0cm 5.4pt;" width="283" valign="top">
<p class="style2" style="mso-layout-grid-align: none; text-autospace: none; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">As ever &#8211; good, quick, cheap – any two.</p>
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<p class="MsoNormal" style="text-align: justify; mso-layout-grid-align: none; text-autospace: none;">
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<p class="MsoNormal" style="text-align: justify; mso-layout-grid-align: none; text-autospace: none;"><strong><span class="style1" style="font-family: Verdana; mso-bidi-font-family: Arial; color: #993300; mso-bidi-font-style: italic;">Any questions?</span></strong></p>
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<p class="MsoNormal" style="text-align: justify; mso-layout-grid-align: none; text-autospace: none;">
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<p class="MsoNormal" style="text-align: justify; mso-layout-grid-align: none; text-autospace: none;">
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<td style="width: 426.1pt; padding: 0cm 5.4pt 0cm 5.4pt;" colspan="2" width="568" valign="top">
<p class="MsoNormal" style="text-align: justify; mso-layout-grid-align: none; text-autospace: none;"><span class="style1" style="font-family: Verdana; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;">If you have any questions about video or need help with a video project, please email </span><span class="style1" style="font-family: Verdana; mso-bidi-font-family: Arial; color: #993300; mso-bidi-font-style: italic;"><a href="mailto:solutions@creative-writer.com"><br />
<span style="color: #993300;">solutions@creative-writer.com</span></a></span><span class="style1" style="font-family: Verdana; mso-bidi-font-family: Arial; mso-bidi-font-style: italic;"> </span></p>
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		<title>Food Secret</title>
		<link>http://www.creative-writer.com/food-secret</link>
		<comments>http://www.creative-writer.com/food-secret#comments</comments>
		<pubDate>Thu, 12 Nov 2009 01:20:39 +0000</pubDate>
		<dc:creator>JonathanPriest</dc:creator>
				<category><![CDATA[Professional Blog]]></category>

		<guid isPermaLink="false">http://dev.danphilibin.com/wordpress/?p=57</guid>
		<description><![CDATA[Food Secret is an up-market health food eatery in Soho and provided me an unusual project,  just completed, to develop the content for a series of flat screen display panels about the ingredients used in their meals. For example, did you know that if you eat too much papaya the soles of your feet turn [...]]]></description>
			<content:encoded><![CDATA[<p>Food Secret is an up-market health food eatery in Soho and provided me an  unusual project,  just completed, to develop the content for a  series of flat screen display panels about the ingredients used in their meals. For example, did you know that if you eat too much papaya the soles of your feet turn yellow? Or that the term grenade, as in hand grenade, comes from the French for pommegranite, la grenade? The original concept of Stories Revealed came from designer James Hatfield. I helped to develop it further and research and write all the captions. Great fun and totally one off. Click on the images to see the artwork. To see the animations, you will need to visit the restaurant on 59 Broadwick Street, W1. The food is great by the way, very healthy.</p>

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